The initial starting point for the installation was a diagram drawn by Jenny Holzer on 1976. It is an abstract, schematic drawing of a city, below the drawing there is a text: “Retrospective painting as seen during the no past condition”.

Kiss and Fly unclasps itself from memories and stands against dragging along things, people, stories and traditions as well as repeating patterns.
This artificial city built for the festival reminds us that all spaces that we spend time in mental and physical world are liminal and meant only for passing through.