At the heart of Monolith Estonia is a group called Tegevusselts Laevuke (Action Society Little Ship), whose mission is to help everyone. Like similar real-world organizations, Laevuke operates in an extremely systematic and meticulously planned manner—diversions, camouflage, tactical gear, background checks, and action plans. Everything is rehearsed before anything is done. And just like those real-world groups, their goals seem noble to themselves, but the methods used to achieve them are often not. One of the central themes of the production is the line between right and wrong; between ethical and unethical. Balancing on that line—blending reality and fiction—raises the question of how a well-meaning citizen can cross that imaginary boundary without even noticing.

But unlike many similar real-world groups, Tegevusselts Laevuke has no ideology. Only the principle of helping everyone—beyond ideology. And that is explosive, in every sense of the word.